Tag Archives: drawing

vin from mistborn, in her mistborn cloak

IMG_9589

Vin from Brandon Sanderson’s Mistborn trilogy is a great leading lady to start off my year of leading ladies (one of my New Year’s resolutions was to read more books by and starring women).

Sanderson uses clothing to distinguish his characters and their emotional states–which is pretty much how clothing works in real life, too. I’ve drawn Vin before, when she was at a ball, but this Vin is in her Mistborn cloak and in her element.

Vin has used disguises her whole life to disappear into something less threatening so that people will overlook her. But her Mistborn cloak lets everyone know that she is special–and dangerous. She isn’t hiding her power anymore, she is embracing the part of herself. In her cloak, Vin is the Heir of the Survivor, possibly the Hero of Ages, and the Savior of Luthadel.

But, of course, that isn’t all she is. She also loves wearing dresses, and she is in love with Elend, and she cares for her friends. She is many things, and embracing one side of her doesn’t erase the rest of herself.

My drawing is ink and watercolor, and here’s a (very short!) slideshow of it coming to life.

My other posts on Mistborn are:

the quiet power of sazed, from mistborn

sazed from mistborn

The Lord Ruler in Brandon Sanderson’s Mistborn series ruled with a literal cloud of depression over his subjects. He tempered emotion through allomancy, a type of magic, and he hunted anything that would disrupt the status quo. In his eyes, all ska were the same, all noblemen served one purpose, and all rebellions were nothing but minor annoyances.

Vin and her crew tried to fight the Final Empire with armies and espionage. But a more subtle, and possibly more important, way of fighting the Lord Ruler was to celebrate uniqueness. To stand out, to aggressively be yourself in a place that hampered joy and hope, was a victory all its own.

Sazed, one of my favorites in Vin’s crew, contributed to the crew’s plan the best way he could–as a servant. Sazed is a Terrisman, the most valued servants in the Final Empire. He is calm and patient. He is smart and kind. And he knew himself well enough to know that when he wanted to fight the Lord Ruler, he could best contribute by using his unique strengths.

Crew leader Kelsier wanted to be the Hero with a capital H–the one in the forefront of the action, a visible leader. But Sazed was just as much a hero by being himself in a place that tried to squash his heritage, joy, and individuality. Kelsier fought the Lord Ruler in front of everyone in a town square; Sazed fought him by translating the text of something the Lord Ruler tried to keep hidden. Without Sazed’s quiet thoughtfulness, the crew would fail wether they had a great leader or not.

Sazed honored his people, and all people, by remembering for them, as a Keeper. The Keepers searched for memories of other cultures, languages, religions, and any knowledge they could find, and kept the memories stored away until the Final Empire fell and people would need them once again. Sazed was always willing to teach and share his knowledge, and he often tried to match religions to the people he knew, to find a religion that fit their personality.

Sazed knew the truth–he knew many truths. He knew that one religion does not fit all, and that by fighting for individuality, he was toppling the Final Empire one unique memory at a time.

I drew Sazed in his formal robes, which he would wear accompanying Vin to a ball. All Terrismen wear similar robes to indicate their status, and their colorful embroidery sounds like a delight amid the gray depression of the mist. My drawing is ink and watercolor in my sketchbook. I might go back in and add more color to it later, but I sort of like the idea of keeping it colorless except for his colorful Terrismen robes.

illustration of vin from mistborn, at a ball

vin from Mistborn

Vin is a survivor. She is resourceful and smart, overcoming beatings on the street to become a valued member of a thieving crew. Vin is a fighter, no matter if she’s stealing from the rich or dancing among them.

There were a lot of things I love, love, loved about Brandon Sanderson’s Mistborn: The Final Empire, the first in the Mistborn trilogy, besides the main character, Vin. The storytelling is complex and layered, the world is detailed and interesting, and the characters are human and tragic.

Within the great story and characters, Sanderson used clothing to help build his world. A uniform helped unite an army, a cloak for the magical Mistborn helped them hide in plain sight, and a dress helped Vin spy on the nobility.

She didn’t need shadows or corners–she just needed a mask of sapphires, makeup, and blue fabric. — Mistborn: The Final Empire

With make up on her face instead of ash, and a shawl on her shoulders instead of her Mistborn cloak, Vin infiltrated the nobility by attending ball after ball. And instead of seeing a streetwise thief, the nobility was blinded by her dress and saw instead a nobleman’s daughter.

Fashion is the armor to survive the reality of everyday life – Bill Cunningham

In our world, clothing and fashion works much the same way. I don’t usually need to spy on nobility at fancy balls, but I do need to convince people I’m a professional at work. So like Vin, I dress the part and it helps fortify me for the role I need to play.

The more Vin acts like Valette, her noble persona, the more she realizes that this confident noblewoman is just another side of her. But becoming more comfortable among the people she means to eventually fight–and actually seeing them as human–causes trouble for Vin and her crew as they plan a heist bigger than any they’ve tried before.

I drew Vin going to her first ball, when she realized that the dress and makeup were just another disguise she could hide beneath. The drawing is pen and marker. I would have liked to make her dress a lighter, dreamier blue, but I wanted to work with the markers I already own. I can’t wait to take a look at some of the other uniforms and clothing in Mistborn, and delve into some of the great parts of this complex story.

weddington way october style challenge

Bright bridesmaid

I love talking about weddings. I am definitely the friend to turn to if you want to talk flower arrangements or bridesmaid dresses, or seating charts, or veils, or just about anything else. Maybe because the weddings I have been involved in have all been chill and wonderful, and maybe because I have never been married, but wedding planning has yet to send a shiver down my spine. I am stoked, always, to talk about your wedding. Especially if it’s discussing what someone is wearing.

So when Weddington Way invited me to participate in their October Style Challenge, I was all in. Designing my own bridesmaid look? Sounds like a blast. You can see their current bridesmaid collection here.

weddington way bridesmaid dress

I started with the Alfred Sung D462 bridesmaid dress in French Gray. I love gray, and I wear it all the time. I love how versatile it is–you can basically dress it up any way you want. And I usually want to set it off with something bright.

In my (fake) wedding, the bride likes classic–with a twist. Her colors are gray and yellow. Her bridesmaids are wearing gray with beautiful bright jewelry and accessories. But their make up and nails are a simple pale pink.

raes day sweddington way bridesmaid illustration

ralph lauren fashion illustration

ralph lauren fashion illustration

I love fashion week, even from afar. (It’s not like I went to shows when I was in New York anyway, so the separation’s pretty easy.) Looking at pretty things for inspiration and for fun will never get old for me.

This fashion week coincided with roughly the same time I got sick of everything in my closet. My new style inspiration Keri Russell has inspired me to pare things down to simple, cool basics. (I mean, she looks good, right?)

While runways tend to be known for going over the top, there’s still great inspiration to pull from if you keep your eyes open.

This look from Ralph Lauren is a wonderful example of simple and cool. A ribbed sweater and pants in the same color family are perfectly coordinated basics, and the bright yellow trench is a fun and surprising update to a classic wardrobe staple.

So this is what I’m aiming for these days: classy, simple, cool.

My illustration is pen and marker. I tried something a little different this time and used a sepia pen since my colors were light and bright. I like it! My video slideshow shows some of the coloring process.

I’m liking these videos, but practice will make perfect I suspect. What do you guys think?

illustration of melody from without a summer

illustration of melody from without a summer by mary robinette kowal

I am working my way backwards through Mary Robinette Kowal’s glamourist histories about one of my favorite literary couples, Jane and Vincent. (I started with the latest book in the series by happenstance, and I’m just going with it.) In Without a Summer (Kindle here), Jane and Vincent travel with Jane’s younger sister Melody to London to work (Jane and Vincent) and to find eligible bachelors (Melody). It is full of smart relationship drama that is true to the flawed but honest characters, which I totally love.

By honest, I don’t necessarily mean truth-telling. I mean that these characters are fully formed, believable, and make decisions that makes sense for who they are. This, in turn, makes every plot twist believable and the drama earned. (And for those averse to romance, there’s political and courtroom theatrics, along with a revolt brewing in the streets that was just as interesting and fun.)

It was a pleasure for me to spend more time with Melody in this book–her charm and beauty worked just as much on me as any man she met in London. It was also a pleasure to learn more about manners and clothes in the Recency Era, which Jane and Melody needed to use to their advantage if they were ever going to find Melody a good match.

In one particular outing, Melody was an icy blond vision in blue as she went ice skating at a party of the Prince Regent himself. Melody often donned a blue pelisse (sort of a coat for your dress) that set off her eyes, and with her hat and muff to guard against the cold, she was a vision.

My illustration is pen and markers, and my video slideshow shows a bit of my coloring process.

I can’t wait to keep reading about this family! Other posts on this series:

(I choose to write about this book on my own, though the links are affiliate.)

what i wore sketch

sketch of what i wore

An illustration of what I wore to work last week. Pen and marker. Shoes and necklace from Target. I can’t remember the source for the dress, but I think it was either Kohl’s or Macy’s.

Happy Friday! I thought we’d never get here.

living room sketch, two ways

rae's small cool space #smallcool

You guys know my living room, right? I just moved and decorated this year and I’m still quite happy with it. But it never hurts to imagine something new and play around with what if. So I drew a few sketches: one based on my living room now, and one with similar pieces that can change the whole look.

living room sketch

living room sketch

I’m really happy with my current furniture, but I could see myself hanging out with some pink shades and a navy couch. Plus nice wood and gold accents? I’ll need to figure out a way to use this somewhere…

illustration of characters from twin peaks

illustration of waitress from Twin Peaks

My final fashion illustration class was this week, and we displayed our final projects. We had to create five different figures, and I based mine off of Twin Peaks. (I’ve talked a little bit before about the great costumes in that show.) It is visually stunning, and using it as inspiration for my drawings allowed me to explore that world a little differently than I had before.

I focused a lot on using colors inspired by the show–so a lot of greens and browns. I love the quirkiness of the characters, so I made sure to include Dr. Jacoby’s glasses and, of course, the log lady’s log. All my illustrations are in pen and markers. (Markers are so fun–who knew! Like a giant, fancy coloring book.)

illustration of audrey from twin peaksillustration of dr. jacoby from twin peaksillustration of the log lady from twin peaksillustration of audrey from twin peaks

I will definitely keep drawing and practicing–I’m a little sad the class is over! You can see my other posts about this class here and here.

fashion illustration class update

raes drawings cape dress

It’s getting near the end of my drawing class, but here’s a few of my favorites so far. These drawings are from inspiration I’ve found in magazines or on Pinterest, or from our model in class.

raes drawings white dressraes drawings pink skirt

My main goal from this class is to better be able to communicate my ideas visually–for fashion and home design and anything else I want to dream up. I am definitely improving, and it’s been a lot of fun. I learned a whole new medium in markers and I really, really like exploring that. Our final project is coming up next week–I hope I come up with something good. You can always follow along on Instagram or Twitter with the hashtag #raesdrawings.